TheBirthofVenus
叶维纳斯的诞生曳
射阳县第二中学黄士龙
TheBirthofVenusisa1486paintingcompletedbyItalianartistSandroBotticelli
渊1445要1510冤.Itdepicts渊描绘冤thegoddessVenus袁havingemergedfromtheseaasaclassicalstatueandfloatingonaseashellwhichisasymbolforawoman蒺svirginityin
fullygrownwoman袁arrivingattheseashore.Venusrisesfromthesea袁lookinglikea
classicalantiquity.OnVenus蒺rightisZephyrus袁GodofWinds袁hecarrieswithhimthegentlebreezeAuraandtogethertheyblowtheGoddessofLoveashore.TheHorae袁God鄄袍冤inreadinessfortheLoveGoddess蒺arrival.SomeromanticnotionssuggestthatBotti鄄dessoftheSeasons袁waitstoreceiveVenusandspreadsoutaflowercoveredrobe渊礼celliimagineshimselfastheGodofWinds袁embracingtheloveofhislifeinhisarms.wasrevealedthat32.5cmofthetopofTheBirthofVenushadbeenplanneddown袁cre鄄putthemsidebyside袁eventhoughtheyweremadetobetogether.
Thepictureoriginallyhunginthecountryvilla渊别墅冤oftheMedicialongwithanotheratingthissizedifferencewhich袁eventoday袁meansthattheUfizi蒺scuratorsdon蒺tdaretosuperblycleaned.Pearlyflesh袁nearlytranslucent渊半透明的冤袁theskinissofinethatviewershavetheimpressionthattheseacanbeseenthroughit.FromthefantasticimageoftheVenus袁wecanseeBotticelli蒺ssimple袁butveryeffectivelinedrawingadmiredbyseldomgivesweightandvolumetohisfiguresandrarelyusesaarehardtohold.Itisclearthatthisisafantasyimage.
alotofpaintersandviewers.Botticelli蒺sartisneverfullycommittedtonaturalism.HeWordbank1.virginityn.贞洁2.curatorsn.馆长deepperspectivespace.FromTheBirthofVenus袁wecaneasily
AllofthemarvelousqualitiesofBotticelli蒺spaintingonlyappearedafterithadbeen
paintingPrimavera袁indicatingthattheworkiscommissionedbytheMedicifamily.It
findthatthefigurescastnoshadowsandtheposesofthefigures
2019.7疯狂英语（读写版）
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参考译文
幅画遥画中描绘了已然成年的女神维纳斯从海中浮水而上到岸边遥从海中缓缓升起的维纳斯看上去就像是个古典雕塑袁轻立于贝壳之上袁而在古代袁贝壳就是女性贞洁的象征遥维纳斯的右边是风神仄费罗斯袁他怀抱轻柔的春风女神奥拉袁他们合力把爱神吹送到岸边遥四季女神霍莉手拿缀满鲜花的长袍迎候在岸边遥画中的浪漫气息可能暗示着波提切利把自己幻想成风神袁怀抱生命的挚爱遥这幅画和另外一幅叶春曳最初被悬挂在美蒂奇家族的乡村别墅中袁说明此画是受美蒂奇家族委托所作遥有迹象表明袁叶维纳斯的诞生曳画作上部刻意被缩短了32.5厘米袁这种差距使得乌菲兹美术馆的馆长至今都不敢让这两幅画并排挂在一起袁即使当初它们是合为一体的遥
但波提切利画作的所有神奇之处却都只是在经过精心清洁处理之后才显现院近乎半透明的圆润肌肉和光滑的肌肤袁令观赏者感觉像看到了清澈见底的大海遥在维纳斯迷人的姿态中袁不难发现波提切利简单却不失表现力的线条描绘袁难怪令很多画家和观赏者赞叹不已遥他很少赋予人物重量和体积感袁更很少使用深度透视的空间遥从叶维纳斯的诞生曳中能清楚地发现所有人物都没有投影袁姿势也很难掌控遥显然袁这种意象是想象力的产物遥
波提切利渊1445要1510冤于1486年完成的一叶维纳斯的诞生曳是由意大利画家桑德罗窑
叶维纳斯的诞生曳
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